Una Voce The Drama In Opera Both Onstage and Off edition by Jennifer Larmore Arts Photography eBooks
Download As PDF : Una Voce The Drama In Opera Both Onstage and Off edition by Jennifer Larmore Arts Photography eBooks 
Once in a while, it’s just pure fun to peek inside other people’s lives. In Una Voce, author Jennifer Larmore offers a look into her life and the lives of opera singers, their thoughts, their struggles, and their feelings. She narrates the story of her journey and working in the industry for almost thirty years.
Una Voce presents a study of people who conquer fear and insecurity to stand on a stage and bare their hearts and souls. Larmore puts a positive spin on everything from anger, how money— if you can get it—changes you, dealing with crazy directors and conductors, jealousy, homesickness, friendship, philosophy, and shares her ideas on sabotage, procrastination, fear, hindsight, manipulation, plus the thrill and glory of success.
Filled with anecdotes and practical tips for new musicians, Una Voce shares one singer’s story of her long and illustrious music career and her life at large—one voice in a sea of many and yet, unique.
Una Voce The Drama In Opera Both Onstage and Off edition by Jennifer Larmore Arts Photography eBooks
This is not your usual book written by an internationally famous opera singer. It is not a memoir, so if you’re looking for a year-by-year account of Larmore’s career told in her own words, you’ll be disappointed. (She hints that such a book might be coming!) Instead, this is a series of informal, chatty conversations organized around themes that Larmore has assembled to give advice to younger singers. Not technical advice such as how to use your diaphragm, nor artistic advice on how to interpret Mozart or Rossini. It’s advice about how to be prepared mentally for the many challenges involved in reaching for and sustaining an operatic career. Along the way, Larmore gives the reader some insight into her specific background, training, and experiences, but they come as part of the broader mission of coaching younger singers to get in the right mental space for what lies ahead.The book is self-published through Lulu and, sadly, is full of typos and misspellings. That knocks a star off of the rating. But if you can read around those, you’ll find this to be one of the most honest and openhearted books ever written by an opera singer. Rather than offering up the steel-plated image of a great diva (Scotto), an endless list of performances (Sutherland), or a PR-driven picture of the friendly professional (Fleming), this is a truthful look at a very human individual negotiating a strange, complex world and learning how to stay mostly sane in it. It sometimes isn’t pretty–a sense of the stresses involved is definitely there–but you also get a sense of the truth behind this singer’s career and why she perseveres. If you’ve ever wondered what goes on in a major singer’s head, this book gives insight into that.
I’ve always admired Larmore. She came to prominence in the age of the marketable mezzo (Bartoli, Von Otter, Graham, Kasarova, etc.), but she’s a very individual artist who stands apart. This book only added to my appreciation of her.
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Una Voce The Drama In Opera Both Onstage and Off edition by Jennifer Larmore Arts Photography eBooks Reviews
What a wonderful, truthful, realistic, positive, exciting book. It should be required reading for all Divas/divos in training!
Jennifer Larmore took me on a fascinating tour of the opera world, both in the United States and in Europe. I'm not a singer, but found this book compelling; I'll never view opera in the same way again. The life is not all glamour and the author gives the reader a clear picture of the triumphs and the low points of a singer's career. Thank you, Ms. Larmore!
A terrific book outlining behind the scenes stories rarely heard outside of opera insider circles. Jennifer is a great singer and a phenomenal artist and outlines specific stories involving colleagues, musicians, backstage crisis, agents, opera power brokers, etc!!!!!!! Never gossipy but always straightforward and sometimes even humorous. Albeit, I am a fan of many years, I was impressed with her candor, compassion and love for the art form she has served and excelled in for these many years...
This is not your usual book written by an internationally famous opera singer. It is not a memoir, so if you’re looking for a year-by-year account of Larmore’s career told in her own words, you’ll be disappointed. (She hints that such a book might be coming!) Instead, this is a series of informal, chatty conversations organized around themes that Larmore has assembled to give advice to younger singers. Not technical advice such as how to use your diaphragm, nor artistic advice on how to interpret Mozart or Rossini. It’s advice about how to be prepared mentally for the many challenges involved in reaching for and sustaining an operatic career. Along the way, Larmore gives the reader some insight into her specific background, training, and experiences, but they come as part of the broader mission of coaching younger singers to get in the right mental space for what lies ahead.
The book is self-published through Lulu and, sadly, is full of typos and misspellings. That knocks a star off of the rating. But if you can read around those, you’ll find this to be one of the most honest and openhearted books ever written by an opera singer. Rather than offering up the steel-plated image of a great diva (Scotto), an endless list of performances (Sutherland), or a PR-driven picture of the friendly professional (Fleming), this is a truthful look at a very human individual negotiating a strange, complex world and learning how to stay mostly sane in it. It sometimes isn’t pretty–a sense of the stresses involved is definitely there–but you also get a sense of the truth behind this singer’s career and why she perseveres. If you’ve ever wondered what goes on in a major singer’s head, this book gives insight into that.
I’ve always admired Larmore. She came to prominence in the age of the marketable mezzo (Bartoli, Von Otter, Graham, Kasarova, etc.), but she’s a very individual artist who stands apart. This book only added to my appreciation of her.
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